1.6 Summary Module:1

Summary Module:1

RECAP
In this module you've learned about peak film noir and have had an introduction to this mode/style/genre of filmmaking considering Joseph H. Lewis' Gun Crazy. 

Eddie Muller also had post-screening comments and a clip of his discussion with Peggy Cummins at The Castro Theater in 2013:Click for link here

To demonstrate your learning, you completed the following activities and assessments: 

Read Naremore Introduction and all module page content
Watched all Module clips and Gun Crazy
Participated in Introduction and Gun Crazy Discussions

More Resources: 
1) Richard Brody on Gun Crazy, The New Yorker - Link Here
2) "One Great Film Noir for Every Year 1940-1959," BFI - Link Here

Peter Labuza's book APPROACHING THE END: IMAGINING APOCALYPSE IN AMERICAN FILM explores Film Noir as a "mode" (as opposed to a genre or style). Check out the trailer for his book which provides an overview of his ideas. - Link Here
What is Noir with Peter Labuza - some notes: 
Never ends in satisfaction - a twinge of twisted darkness
Rarely hope for a good future
Noir is not just a genre - It's a response to narrative style in Hollywood.
That which we see in the melodrama. 
Noir pervades because it is a necessary response,
It counterbalances Hollywood, even if it resembles Hollywood itself.

*Through a focus on the life of Dalton Trumbo (1905-1976), this documentary film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II.  
Link Here to film - Trumbo  (over one hour)
YouTube description: 
Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II.





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