10.0 "Don't Wave the Flag at Me!" Cold War Paranoia

 "Don't Wave the Flag at Me!" Cold War Paranoia

Strangers on a train in the opening scene of Pickup on South Street (1953)


LEARNING OBJECTIVES

By the end of this module, you will be able to:

1.Describe stylistic and thematic elements of noir and how they are utilized to heighten social critique of
    American capitalism, the Red Scare and criminals living on the margins of society in the early 1950s
2.Identify and assess Samuel Fuller's unique contributions in regards to noir elements of lighting,
   characterization, theme, mood and tone in Pickup on South Street
3.Assess Pickup on South Street (1953) 

TO-DO LIST

To meet the objectives of this module, you will complete the following activities and assessments:

1.Read module material
2.Watch Pickup on South Street and clips
3.Participate in Pickup on South Street Discussion



Comments

Post a Comment

Popular posts from this blog

6.7 Module 6 Summary

Image
 Module 6 Summary Wally is "too smart for his own good" in  Mildred Pierce RECAP In this module you have explored the crossover of melodrama and noir in the unique project of Mildred Pierce . Joan Crawford cut her melodramatic and noir chops on this film which led to others Flamingo Road , Sudden Fear , Possessed , The Damned Don't Cry and Queen Bee . Mildred Pierce (1945) Documentary segment video Link Here To Demonstrate your learning, you completed the following activities and assessments:  1. Read: "Film Noir: The Society Violence and the Bitch Goddess" by Stephen Farber and all module content.  2. Watch Mildred Pierce 3. Contribute to Mildred Pierce Discussion.  RESOURCES "How Joan Crawford Became Mildred Pierce" ( Links to an external site .) "Eve Arden and the 'Ida Factor' in Mildred Pierce" ( Links to an external site .) "Joan Crawford and her Enduing Style Influence" ( Links to an external site .) "The Futu...
Read more

16.4 SCREENING: BOUND

Image
SCREENING: BOUND En route to a seduction, Corky comes over to "fix the pipes" 1996’s tight-budgeted Bound is the directorial debut of The Wachowskis, in hindsight deeply overshadowed by the success of The Matrix trilogy and the other-worldly Cloud Atlas . But look a little closer and you’ll find that it shouldn’t be overshadowed at all, even if only for its redefining of gender politics and enticing reimagining of the neo-noir genre. At its centre is the relationship between just-out-of-jail Corky (Gina Gershon), and Violet (Jennifer Tilly), a character who primarily appears to be the walking embodiment of the femme fatale archetype. Violet’s relationship with the sleazily violent mafia member gives them the in they need to get the chance to rob a group of men of $2 million, with Corky’s previous for stealing coming together to hatch the perfect plan. The plot itself is fairly simple, but there’s enough elements that could go wrong for it to remain gripping. What a linear p...
Read more

16.1 Key Term Review

Key Term Review Before getting into the details of our final screening and essay questions, a quick review of some key terms. GENRE (timeless) In French, “type” or “kind.” Genres typically tell stories that share settings, conflicts, character types, and iconographies. Iconography includes all the visual motifs that appear in genres (so, cowboy hats and boots, spurs, “tough guys,” etc. in westerns). Westerns, gangster films, and musicals are a few examples. Embedded within genres are historical mythologies particular to a nation or culture — and thus ideologies (value systems that we learn to take for granted). FILM NOIR (1940s – 1950s is the classic period; noir and neo-noir have existed since, though) Assuming film noir is a kind of genre, we note that noir often: takes place at night in urban spaces (and usually in the western part of the U.S.); is shadowy and involves crime; is cynical and fatalistic (heroes are flawed and doomed and often suffer or die by end); is sexual; featur...
Read more