12.0 Neo-Noir in New Hollywood

 Neo-Noir in New Hollywood


                                    Philip Marlowe takes a drink and a smoke in a bar


It was inevitable that New Hollywood would take a turn with Noir, the manifestations that came in the 1970s stand as a contemporary reworking of the Classical molds that were solidified in the 30s-50s. The Long Goodbye (1973) and Chinatown (1974) are two early entries into what would become known as neo-noir; each taking a slightly different approach, while still tethered to Classical issues (Chandler's Philip Marlowe and period accuracy of L.A. setting in Chinatown).

LEARNING OBJECTIVES

By the end of this module, you will be able to:

1.Describe stylistic and thematic elements of noir in the first wave of neo-noir in Hollywood

2.Identify and assess Robert Altman's unique contributions in regards to noir elements of
   lighting, characterization, theme, mood and tone in The Long Goodbye.

3.Assess The Long Goodbye (1973) 

TO-DO LIST

To meet the objectives of this module, you will complete the following activities and assessments:

Read module content, Naremore's Film Noir A Very Short History, Chapter 5;  Download "The Long Goodbye and Chinatown"(1974-75);
 "Debunking the Private Eye Tradition"(1975); 

Watch The Long Goodbye and clips


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